The final Top 10 hit for the Association. The musical landscape had undergone a seismic shift by now, and their tight harmonies and intricate musical arrangements seemed out of touch with changing tastes. These guys made liberal use of L.A.’s top session musicians (the Wrecking Crew). I can’t find who played on this record, but sure sounds to me like it’s Joe Osborn playing his ass off on the bass.
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